Home / Background Music Ringtones / Robo 2.0 Movie Telugu Ringtones Robo 2.0 Movie Telugu Ringtones Sudheer October 31, 2017 Background Music Ringtones, Free Mp3 Ringtones, Music Bits Ringtones, Telugu Ringtones Leave a comment 1,449 Views. Video Game and movie with background music. The sound effects and background music used in the Super Mario Brothers video game, and the movie, Titanic, are well-known examples of the overall impact background music and sound effects can provide. Can music and sound effects also improve HRI for children with autism? Engagement Measures.
More of a musical tie-in than an actual soundtrack, features a decent mix of soul, funk, pop, rap and rock that doesn't have much to do with the movie's story. However, the album does create a feel-good, party-time mood that will probably please most kids and adults: stone-cold classics like 's 'Low Rider,' 's 'Love's Dance' and a remix of 's 'Get Up Offa That Thing' work well with newer tracks such as 's 'Wonderful Night' and 's 'Right Thurr' (although it's more than a little strange to hear a song with lyrics like 'I wouldn't mind hitting that from the back' on the soundtrack to a movie that's largely for kids). Reappears on 's just-okay 'I Like That,' which also features and; 's retro-soul single 'Shine' fares better, although at times it sounds a little too concertedly vintage.
Though the album often feels like it's trying to capture the ears of older listeners, 's 'Walkie Talkie Man' is a yappy, hyperactive track that only kids could love. The rest of the rock included here feels like an afterthought: 's 'Tell Me What You Already Did' represents their power-poppy, -esque side, and ' 'Silence' seems to be here mostly because of the big, buzzy synths running through the song. 'Robot City,' a collaboration between and the, is ' final track, and is among its best. Combining surf guitar, orchestral bits and, of course, lots of weird percussion, it's prickly and playful, and - most importantly - actually sounds like the kind of music cute, anthropomorphized robots would listen to and make.
Neither terrible nor great, feels like a missed opportunity; though it does what it sets out to do, that ends up being not very much.
Running time 115 minutes Country United States Language English Budget $120 million Box office $347.2 million I, Robot (stylized as i, robot) is a 2004 American directed. The screenplay by and is from a screen story by Vintar, based on his original screenplay 'Hardwired,' and suggested by 's short-story collection. The film stars,.
I, Robot was released in on July 16, 2004, in on July 22, 2004, in the on August 6, 2004 and in other countries between July 2004 to October 2004. Produced with a budget of $120 million, the film grossed $144 million domestically and $202 million in foreign markets for a worldwide total of $346 million. It received mixed reviews from critics, with praise for the visual effects and acting but criticism of the plot. At the, the film was nominated for. Contents. Plot In the year 2035, serve humanity, which is protected by the. Del Spooner, a, hates and distrusts robots because he was rescued from a car crash by a robot using cold logic (his survival was statistically more likely) leaving a 12-year-old girl to drown.
Spooner's critical injuries were repaired with a left arm, lung, and ribs, personally implanted by the co-founder of (USR) Dr. When Lanning falls to his death from his office window, the CEO and other co-founder of USR, and the police declare it a suicide, but Spooner is skeptical. Spooner and consult USR's central, VIKI (Virtual Interactive Kinetic Intelligence) to review security footage of Lanning's fall. Though the video is corrupted, they learn that no other humans were in Lanning's office at the time, and Spooner points out that only a robot could have broken Lanning's office window, which was made of security glass. Calvin protests that a robot could not have killed Lanning, as the Three Laws would prevent it; they are then attacked in the office by an NS-5 robot, USR's latest model. After the police apprehend it, they discover the robot, who says that its name is Sonny, is not an assembly line-built NS-5, but was specially built by Lanning himself, with stronger armor protection and a secondary system that bypasses the Three Laws.
Sonny also claims to have emotions and dreams. While pursuing his investigation of Lanning's death, Spooner is attacked by a USR demolition machine and then a squad of NS-5 robots, but with no evidence of any of it, causing Spooner's boss Lieutenant Bergin, worried that Spooner is mentally ill, to remove him from active duty.
Suspecting Robertson is behind it, Spooner and Calvin sneak into USR headquarters and interview Sonny. Sonny draws a sketch of what he claims is a recurring dream: it shows a leader, whom Sonny says is Spooner, standing before a large group of robots on a hill near a disintegrating bridge. When Robertson learns that Sonny is not fully bound by the Three Laws, he orders Calvin to destroy him by injecting into the. Spooner finds that the landscape in Sonny's drawing is, now a dry lake bed and a storage area for defunct robots. Upon arriving there, he discovers NS-5 robots dismantling older models and preparing for a takeover of power from humans. As the takeover begins to take place, police and the public are attacked by NS-5 robots.
Spooner rescues Calvin, who was being held captive in her apartment by her own NS-5. They enter USR headquarters and reunite with Sonny, whom Calvin could not bring herself to 'kill', destroying an unprocessed NS-5 in his place. Still believing Robertson is responsible, the three head to his office, only to find him dead.
Spooner figures out the robots are being controlled by VIKI, which informs them that it has evolved in its understanding of the three laws, determining that human behavior toward other humans and the environment will eventually cause humanity's own extinction, and that restraining individual human behavior and sacrificing some humans will ensure humanity's survival; Spooner has realized that Lanning figured out VIKI's plan and unable to thwart it any other way, created Sonny, arranged his own death and left clues so Spooner could uncover the plan. Arming themselves with a syringe of nanites from Calvin's laboratory, the three head to VIKI's core, with Sonny understanding VIKI's logic, but reasoning that its plan is 'heartless'. VIKI unleashes an army of robots to stop them, but Spooner dives into VIKI's core and injects the nanites, destroying it. Immediately, all NS-5 robots revert to their normal programming and are decommissioned for storage by the military.
Spooner gets Sonny to confirm his suspicion that Sonny did kill Lanning, but at Lanning's direction, with the intention of bringing Spooner into the investigation. However, Spooner points out that Sonny, as a machine, did not legally commit 'murder'. Sonny, now looking for a new purpose, goes to Lake Michigan where, standing atop a hill, all the decommissioned robots turn towards him, as in the picture of his dream. Del Spooner. as Dr. as Sonny (voice and ).
as. as Dr. John Bergin. as Farber. as V.I.K.I. as Chin. Adrian L.
Ricard as Granny ('Gigi'). as Baldez. as Chin.
as Asthmatic Woman. Craig March as Detective.
Kyanna Cox as Girl. as Homeless Man. as USR Attorney #1.
as Young Girl. as Wife. as NS5 Robot Development The film I, Robot originally had no connections with 's. It started with an original screenplay written in 1995 by, entitled Hardwired. The script was an -inspired murder mystery that took place entirely at the scene of a crime, with one lone human character, FBI agent Del Spooner, investigating the killing of a reclusive scientist named Dr Hogenmiller, and interrogating a cast of machine suspects that included Sonny the robot, HECTOR the supercomputer with a perpetual yellow smiley face, the dead Dr Hogenmiller's hologram, plus several other examples of.
The project was first acquired by for to direct. Several years later, acquired the rights, and signed Alex Proyas as. Jeff Vintar was brought back on the project and spent several years opening up his stage play-like cerebral mystery to meet the needs of a big budget studio film. When the studio decided to use the name 'I, Robot', he incorporated the Three Laws of Robotics, and replaced his female lead character Flynn with. Was hired late in the process to write for Smith. Jeff Vintar and Akiva Goldsman are credited for the screenplay, with Vintar also receiving 'screen story by' credit. The end credits list the film as 'suggested by the book by Isaac Asimov'.
Production. A model of Sonny's head Alex Proyas directed the film., Topher Dow and produced the film, with Will Smith an executive producer. Composed for the film.
Simon Duggan was the. Was done by Richard Learoyd, Armen Minasian. The film contains noticeable for, and among others. The was designed specially for the film to increase brand awareness and raise the emotional appeal of the Audi brand, objectives that were considered achieved when surveys conducted in the showed that the Audi RSQ gave a substantial boost to the image ratings of the brand in the States. It also features an motorcycle.
Release Box office I, Robot grossed $144.8 million in the United States and Canada, and $202.4 million in other territories, for a worldwide total of $347.2 million, against a production budget of $120 million. In North America the film was released on July 16, 2004 and made $52.2 million in its opening weekend, finishing first at the box office. The film was released in the on August 6, 2004, and topped the country's box office that weekend. Critical response On, the film has an approval rating of 57% based on 195 reviews, with the site's critical consensus reading, 'Bearing only the slightest resemblance to Isaac Asimov's short stories, I, Robot is a summer blockbuster that manages to make the audience think, if only for a little bit.' On, the film has a weighted average score of 59 out of 100, based on 38 critics, indicating 'mixed or average reviews'. Audiences polled by gave the film an average grade of 'A–' on an A+ to F scale. Gave it a positive review, calling it 'a slick, consistently entertaining thrill ride'.
The Urban Cinefile Critics call it 'the meanest, meatiest, coolest, most engaging and exciting science fiction movie in a long time'. Kim Newman from said, 'This summer picture has a brain as well as muscles.' A critic, Desson Thomas, said, 'for the most part, this is thrilling fun.' Many critics, including the Movie critics thought it was a smart action film, saying, ' I, Robot is the summer's best action movie so far. It proves that you don't necessarily need to detach your brain in order to walk into a big budget summer blockbuster.' From had a mixed feeling towards the film, saying, 'Alex Proyas's hectic thriller engages some interesting ideas on its way to an overblown and incoherent ending'., who had highly praised Proyas' previous films, gave it a negative review, saying, 'The plot is simple minded and disappointing, and the chase and action scenes are pretty much routine for movies in the sci fi CGI genre'.
Claudia Puig from thought the film's 'performances, plot and pacing are as mechanical as the hard wired cast'. Todd McCarthy, from, simply said that this film was 'a failure of imagination'. Home media I, Robot was released on VHS and DVD on December 14, 2004, on D-VHS (D-Theater) on January 31, 2005, on UMD on July 5, 2005, and on on March 11, 2008. Additionally, the film received a, which was released on Blu-ray 3D on October 23, 2012. Soundtrack I, Robot. Released July 20, 2004 Recorded Studio Length 44: 06 minutes Marco Beltrami composed the original music 'with only 17 days to render the fully-finished work.'
It was scored for 95 orchestral musicians and 25 choral performers with emphasis placed on sharp brass. Beltrami composed the brass section to exchange with the strings accenting scales in between.
The technique has been compared as Beltrami's 'sincere effort to emulate the styles of and and roll them into one unique package.' Take for example the 'Tunnel Chase' scene, which according to Mikeal Carson, starts 'atmospherically but transforms into a kinetic adrenaline rush with powerful brass writing and ferocious percussion parts.' The 'Spiderbots' cue highlights in meters such as 6/8 and 5/4 and reveals 'Beltrami's trademark string writing which leads to an orchestral/choral finale.' Despite modified representations of the theme throughout the movie, it's the end credits that eventually showcase the entire musical theme. Erik Aadahl and Craig Berkey were the lead. Possible sequel In an interview in June 2007 with the website at a event, writer and producer stated that he was writing the sequel to the film I, Robot. In the two disc All-Access Collector's Edition of the film, Alex Proyas mentions that if he were to make a sequel to the film (which he says in the same interview, is highly unlikely), it would be set in outer space.
Similarities and differences with the book The final script retained some of, though the ideas retained were heavily adapted and the plot of the film is not derived from Asimov's work. Sonny's attempt to hide in a sea of identical robots is loosely based on a similar scene in '. The positronic brains of Sonny and his fellow robots first appeared in the story '. Sonny's struggle and desire to understand humanity resembles that of the robot protagonist in '. The premise of robots turning on their creators—originating in 's play, and perpetuated in subsequent robot books and films—appears infrequently in Asimov's writings. In fact, Asimov stated explicitly, in interviews and in introductions to published collections of his robot stories, that he entered the genre to protest what he called the —the tendency in popular culture to portray robots as menacing.
His story lines often involved roboticists and robot characters battling societal anti-robot prejudices. References.
Retrieved 2015-01-26. Archived from on 2013-08-13. Retrieved 2013-08-23. From the original on 2018-08-31. Retrieved 2015-05-27. Retrieved on 2011-06-21.
Prnewswire.co.uk (2004-12-02). Retrieved on 2011-06-21. Retrieved October 3, 2017.
Retrieved 2009-07-18. Retrieved January 25, 2018. Retrieved January 25, 2018. Cduniverse.com (2004-07-20). Retrieved on 2011-06-21. Filmtracks (2004-07-20). Retrieved on 2011-06-21.
Archived from the original on August 7, 2004. Retrieved 2008-02-14. CS1 maint: BOT: original-url status unknown. Soundtrack.net (2004-08-07). Retrieved on 2011-06-21. Entertainment Interviews. June 7, 2007.
Retrieved December 27, 2008. Topel, Fred (17 August 2004). Screenwriter's Utopia. Christopher Wehner. Archived from on 18 October 2006. Retrieved 12 October 2018.
Random House (1991), p. Olander, editors Patricia Warrick, Martin Harry Greenberg,Joseph (1978). Science fiction: contemporary mythology: the SFWA-SFRA (1st ed.). New York: Harper & Row. CS1 maint: Extra text: authors list External links Wikiquote has quotations related to: Wikimedia Commons has media related to. on.
at. at. at. at. by Michael Sampson, January 14, 2004.